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Yet more tech threatening to devalue the art of composing

This is interesting because it shows that in some cases the professionals win. The less people that can fix their own things the more professionals that can be supported.
I'd much rather go back to the days of "Kit Built Radios" rather than accept this nonsense. My oscilloscope is a kit build from the 50s, I don't think that put anyone out of work back then!
 
Are you joking, if so ha-ha..Otherwise, I'm talking about high school bands..like trumpets, clarinets, flutes, and other archaic acoustic instruments..
Oh, those. Haven’t seen one of those in a while. Yes, I’m joking. But worried given the state of funding.
 
I've been a session drummer for over 20 years and my work has dried up significantly. Drum machines haven't replaced drummers 100% but it's getting close.

How many pop songs have you heard in the last 15 years that featured a real drummer?
This is confusing the issue because popular songs (pop) isn't a static description. The current popular music does tend to use drum machines and what this suggests is that the music you want to get paid to play for is just not as popular anymore. There are many many other types of music that are less popular that utilize real drums and drummers and you might have to take a pay cut to enter that scene. The other idea is to create music that will bring the popularity of the acoustic kit back up, or grab some midi drums and offer that service as well?

This reminds me of the fall of the hair bands to grunge. Tastes change, and doing pushups on the guitar was no longer important to the culture. They wanted grit. And as such a guitarist either bitched and moaned(and failed), stayed true to their style and made (a lot) less money or changed their style to fit the times. I'm sure this went for the vocalists, bassists and drummers of the time I'm sure, but I am a guitarist so heard the most complaining from that group.
 
@NekujaK

How do you reconcile the concern you have about Soundful with your post no. 16 in the concurrent "Cheater Software" thread (which I quote below)? The software you're promoting there already devalues the art & craft of composing, already dumbs down what it means to be a composer. Soundful is nothing more than the inevitable outcome of such "cheater software"; the only difference is that it cheats more than the others, so your concern appears to be one of degree, not of principle.

As I said prior: Live by the tech; die by the tech.


Post no. 16:
There are Kontakt libraries that generate rhythms, sequences, and/or whole backing tracks with just a few clicks. They won't generate an entire piece, but they can provide a well-developed foundation on which to build further ideas.

Here are some developers that specialize in these types of libraries:

- Sample Logic: IMHO they have the best randomization engines and offer high quality sounds. Check out libraries like Arpology, Expeditions, Morphestra, Symphonic AI, etc.

- Audiofier: Practically the entire line is about one-finger music creation with plenty of randomization options. Check out the Veevum series, Xtyles, Tetrality, etc.

- Rigid Audio: Their Loop-Based libraries are basically a one-finger band that allow you to randomly mix and match among four musical parts to create backing arrangements. Libraries like Synferno, Cinematrix, Acoustic Isolation, etc. come with a surprisingly large amount of content. Just don't pay full price for these - they often go on sale for below $10 each.

There is also the Toontrack trifecta of EZdrummer, EZkeys, and EZbass. Although it requires a bit of concentrated effort, these tools can be used in conjunction with each other to generate complete fully-realized backing tracks. It's not a one-click solution, but the results are far more musical than most one-click gadgets. To broaden the range of what's possible, I'd recommend investing in EZkeys MIDI packs, since these provide the harmonic structure and musical stylings for the final arrangement.
 
I'd much rather go back to the days of "Kit Built Radios" rather than accept this nonsense. My oscilloscope is a kit build from the 50s, I don't think that put anyone out of work back then!
If at any time you do something that you could have paid someone else to do you are putting someone out of work. Every time you drive to work you could have hired someone to do it. Every time you cook, clean, wash your car, wire up a lamp etc. And when you put that radio together yourself you deprived someone else of money. And when enough (especially rich) people stop paying for everyone to do stuff for them and withdraw from the economy that is what is called a great depression.
 
No, but it did put a lot of mom n pop food stands and drive-ins out of business. There are always casualties when franchises and chains move into territories. It's unavoidable.

Agreed!

But tech is rarely the cause of these scenarios, it's usually caused by monopolies (Walmart, McD's, etc.). Which are "supposed to be" illegal.

Also, if you have a half hour to kill, this video is really, REALLY good (though not entirely related to AI, but monopolistic practices).

 
@NekujaK

How do you reconcile the concern you have about Soundful with your post no. 16 in the concurrent "Cheater Software" thread (which I quote below)? The software you're promoting there already devalues the art & craft of composing, already dumbs down what it means to be a composer. Soundful is nothing more than the inevitable outcome of such "cheater software"; the only difference is that it cheats more than the others, so your concern appears to be one of degree than of principle.

As I said prior: Live by the tech; die by the tech.


Post no. 16:
Easy to reconcile. I was merely listing some available options that satisfy the OP's original request. I wasn't promoting or endorsing these libraries, merely pointing out they exist and what they're capable of.

But there's a much more important distinction. Those libraries are intended to be used by composers to assist in the composing process. Soundful is meant to be used by those who typically pay for music created by composers (TV networks, music supervisors, marketing depts, etc.). The grand promise of Soundful is that it replaces the need for composers, engineers, studios, musicians, and music libraries by delivering fully produced music on request.

Soundful and Audiofier's Veevums, for example, are two completely different beasts aimed at two completely different types of users. Sure, there's some overlap because they both generate music to varying degrees, but their intended use and target audience couldn't be more different.

Some people in this thread are reacting to Soundful as if it's another AI composition tool to be thrown into our composer bag, but that's really not the case. Soundful is aiming much, much higher at where the real money is.
 
But tech is rarely the cause of these scenarios, it's usually caused by monopolies (Walmart, McD's, etc.). Which are "supposed to be" illegal.
Yes, absolutely! In the case of Soundful, it just happens to be tech that may enable media giants like Disney and Discovery to become monopolies that control every aspect of media creation. In this case, music.
 
Guys, before speculating and fearing the worst, having nightmares about the end of the music industry and so on...



Parameters: Music style, tempo and key. How many really different tracks can this thing make and how personalised can it be with just these 3 parameters? It looks like an advanced version of a sample pack.

Zero worries. Keep studying, keep composing, keep improving.
 
If at any time you do something that you could have paid someone else to do you are putting someone out of work. Every time you drive to work you could have hired someone to do it. Every time you cook, clean, wash your car, wire up a lamp etc. And when you put that radio together yourself you deprived someone else of money. And when enough (especially rich) people stop paying for everyone to do stuff for them and withdraw from the economy that is what is called a great depression.
I strongly disagree and wont extrapolate further. :emoji_smiley:
By those rights this forum should be deleted because it promotes learning about how to use Virtual Instruments, something that guys like Hans Zimmer get paid to do so I better not dare trod onto their territory whatsoever.
 
Guys, before speculating and fearing the worst, having nightmares about the end of the music industry and so on...



Parameters: Music style, tempo and key. How many really different tracks can this thing make and how personalised can it be with just these 3 parameters? It looks like an advanced version of a sample pack.

Zero worries. Keep studying, keep composing, keep improving.

Why tf did he start spraying with Windex at the end? 😂
 
@NekujaK

How do you reconcile the concern you have about Soundful with your post no. 16 in the concurrent "Cheater Software" thread (which I quote below)? The software you're promoting there already devalues the art & craft of composing, already dumbs down what it means to be a composer. Soundful is nothing more than the inevitable outcome of such "cheater software"; the only difference is that it cheats more than the others, so your concern appears to be one of degree, not of principle.

As I said prior: Live by the tech; die by the tech.


Post no. 16:
I'm not sure you understand but your theory is just a cheat. What you spent all your time learning was how to 'cheat' (create music) faster (maybe better?) than someone who didn't have the time or resources to learn. And btw by your logic you are cheating the composers who had to invent the theory. And those composers are cheating the composers in the Ancient World who invented the notes and scales.

And yes I get why this software makes you insecure because change is hard. Rest assured if your music is good someone may pay you for it, and if not well then hope for socialism I guess? So stop shaming people for using new tools to make music. It is ridiculous.

I strongly disagree and wont extrapolate further. :emoji_smiley:
By those rights this forum should be deleted because it promotes learning about how to use Virtual Instruments, something that guys like Hans Zimmer get paid to do so I better not dare trod onto their territory whatsoever.
Well you extrapolated further.

Anyways I think you misunderstand the concept. I obviously don't pay people to do all those things but I am at least aware that I am part of the economy and my choices are what help drive the economy. And Hans Zimmer is a strange choice as he is very aware of the current economy and that is why he has his name on some tools in the VI pool.
 
Yes, absolutely! In the case of Soundful, it just happens to be tech that may enable media giants like Disney and Discovery to become monopolies that control every aspect of media creation. In this case, music.

This is a fair point.

I think I'm growing numb to these apocalyptic scenarios though. Every few months, there's a new thread about some new AI tech company that threatens our music careers -- it usually amounts to nothing but a company attracting more investors to burn cash at an astounding rate. Then, it fizzles out like a wet fart.

Always good to be watchful, but this Promethean fear so often results in nothing but wasted energy. And even if we're all "replaced" by AI, I'll never stop writing. Fuck em!
 
On the surface, seems like a lame implementation. Midi drums and synths that have its notes picked by an algorithm... Wake me up when your AI can render a cd quality Latin band performance without any actual samples, but from top of its head, like those human portrait generators etc.

You can teach a monkey to do what it does now.
Not just the human generators, those 'art-generators' are dogshit too. What those redditors don't tell you is the hundreds of garbage renders they had to wait on just to get something remotely interesting.

And that's one frame--no continuity like with an actual VFX artist. Imagine having that discussion with the computer: "YES, do me a dozen more just like that, but with fire and the people are all ten feet tall and have on business suits inside a bowling alley and- no computer, nooo no no—NOOOOOOOOOOOOOOOOOOO"

Yet they frame these 'one-offs' very proudly indeed!

It's a genre of art, I'll give 'em that. Does it replace having discussions with an actual artist who can make illustrations for you? No, and I'd wager anyone who wants to bet me that it won't in 100 years.
 
No, but its made the world crave McDonalds, instead of "real food" and the creations of gourmet chefs.
You could argue the other side of that and say fast food discouraged people from wanting to become a chef--thereby leading to a chef 'shortage' and ultimately making them a more valuable asset.

This article provides a bit of reading on the topic:
Is the long-term chef shortage over... or just paused?

I'm not making that argument btw, because I don't know enough to form an educated opinion on the matter, but they provide some interesting supporting evidence for the case.

(COVID changed this dynamic of course)

Cheers
 
Would the machine then also have learned how to create this music?

Machines are already able to create music. What they lack for now is the ability to understand what it is that causes listeners to enjoy listening to it. As musicians we have an intuitive sense about it because musical patterns cause our synapses to fire a certain way that will make us feel things. We listen to those sensibilities while creating music to guide us. This may seem like it’s magic but it’s not really magic it’s just very complex pattern recognition. Yes eventually machines will understand those patterns at as good or better level then we do subconsciously.
 
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