Syncopator
Active Member
I hear these atonal atmospheres in so many scores—and not just new scores (which are more and more experimental). For example, Thomas Newman used atonal atmospheres nearly 25 years ago in 'The Green Mile,' etc. I keep asking around, but no one seems to be able to explain to me how these sounds are created. I'd appreciate any suggestions anyone here might have.
(Note: I'm NOT talking about orchestral clusters. I know how to write those. The sounds I'm talking about are NOT orchestral sounds. They may be mixed in with the orchestra in scores, but they're not made by orchestral instruments.)
Thanks.
(Note: I'm NOT talking about orchestral clusters. I know how to write those. The sounds I'm talking about are NOT orchestral sounds. They may be mixed in with the orchestra in scores, but they're not made by orchestral instruments.)
Thanks.