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Hi again all, Thanks for your further queries and questions, will and try and clarify. @GtrString - you mentioned ‘cross-collateralization’ whereby some publishers take their recoupable from all music written, and not from the individual track. This isn’t the case here at Evolution Media...

Hi Guys, Happy to answer any more questions people might have (though I work the usual UK working hours if I don’t respond). Regarding the contract and posting it here. I’m hesitant to do so just because I’d rather explain points of the contract directly with individuals, and not have others...

Hi All, Speaking on behalf of the Evolution team here. CGR, our manager Dave will be emailing your directly but just wanted to clear some things up on this thread. Regarding the main clause that people have taken issue with (11.6.5), I’d like to clarify what this means. As per the bit in...

Hey, we are an exclusive music library. Thanks, and you too!

Hi Everyone, New to the forum as a company, but myself and a number of other team members post here under our own accounts. We’re on a mission to find great new composers to work with… Currently we work with a core group of composers who have helped us to release over 70 albums, ranging from...

Would probably register it as a new composition, but haven't had to deal with this personally. Hopefully someone else will be able to offer you some more insightful advice.

Most composers still use Soundcloud, but the compression and quality issues can be a problem when you are pitching to certain high end clients. When speculatively approaching potential freelancing clients would suggest having your music available on soundlcoud so they can quickly listen to it...

Just to offer a Music Libraries take on this, we would never expect a composer to approach us with a fully live recorded orchestral track. Through our experiences as writers and colleagues of other libraries in London, we don’t know of any Music Library that would expect such a huge expense to...